Rokh Fall 2025: Softening the Edges
Plein Sport logo-patch elasticated-waistband Leggings Black
Saint Laurent cut-out crepe maxi dress Made in Italy The origin of the goods may vary from batch to batch. Please refer to the actual product. Highlights black crepe texture draped design ruched detailing cut-out detailing V-neck spaghetti straps rear criss-cross straps fitted waistline open back straight long length hem full lining Composition Viscose The composition information is subject to the actual product. The product composition details of the spliced material will be split and displayed. Washing instructions Dry Clean Only The washing method is subject to the commercial washing standard Wearing The model is 1.8 m wearing size 34 Product IDs FARFETCH ID: 23027120 Brand style ID: 777194Y5F63
Final SalePhilipp Pleinskull-motif rhinestone track trousersblack wool-cotton blend skull appliqué rhinestone embellishment drawstring fastening waist front button and zip fastening slim cutMade in ItalyThe origin of the goods may vary from batch to batch. Please refer to the actual product.CompositionOuter: Polyester 52%, Wool 43%, Spandex/Elastane 5%Lining: Polyester 65%, Cotton 35%The composition information is subject to the actual product. The product composition details of the spliced material will be split and displayed.Washing instructionsDry Clean OnlyThe washing method is subject to the commercial washing standardWearingThe model is 1.86 m wearing size 50The model is also styled with: Alexander McQueen Tread Slick sneakers, Prada Re-Nylon bucket hatProduct IDsFARFETCH ID: 17352674Brand style ID: SABCMJT1950PTE003N
For designer Rok Hwang, taking a sculptural approach isn’t about creating sharp-edged monoliths but about following the human hand’s shaping of material. A point of reference he named was renowned British studio potter Lucie Rie. “It kind of resonates with the idea of hand touch and a very poetic kind of construction that really assembles the collection,” he said backstage. “This is heavy construction but at the same time, we are breaking it.” If that sounded abstract, think of them as a building, like the under-renovation Parisian townhouse in which Hwang staged his show, which had “a beautiful historical kind of appeal but it’s been stripped down.” Owing to the London-based designer’s proclivity for collecting vintage, he revisited archetypal garments, balancing rigorous cuts with dramatic draped elements. There were showpieces to be sure, but it was precisely dosed and telegraphed a softer, more feminine energy even in more quotidian options. You May Also Like The best examples were a double-breasted coat with a square neckline, little high-necked blousons that could be unzipped vertically and horizontally, and a trench-polka dot dress hybrid. Here and there were also examples of textile manipulations, with tightly packed hand-shredded ruffles painstakingly assembled over the surface of a coat. Elsewhere, he used deconstruction as a way to build new wear options in puffy coats, zippered blousons and even knit sweaters with a detachable lower hem. It played well with his modular concept, with bubble skirts unfolding into sleeker variations thanks to ring clasps. Collection Gallery 41 Photos View Gallery Equally handsome and modular were his menswear silhouettes, a category that now amounts to around 20 percent of the business and growing, Hwang said. They cemented the impression of a brand that is keeping its eye solidly on real-world appeal.
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